Booth Photographic Ltd. presents Shoot It Right, a full-day, educational photographic and lighting seminar tour, lead by Photo Life contributor, The Studio Coach, Jean-François O’Kane. Each seminar will walk participants through the latest shooting techniques as well as the entire work-flow process from set-up and capture to manipulation and final product showcase. The tour will be in Saskatoon on March 20th and includes live demonstrations of shooting situations, the latest wireless technologies in flash synchronization equipment as well as the best in photo software programs and the use of tools such as tablets, HDR and templates. The Shoot It Right photographic seminar tour will make twelve stops across Canada. Interested photographers are encouraged to visit the Booth Photographic Web site for all the event details including, dates and locations, seminar topics, speaker bio, prize lists, photo gallery, blog and registration. SPEEDLIGHTS Simple off camera setups Wireless control of multiple flash Advanced lighting techniques Small yet powerful STUDIO Modern posing guide Colour balance on the fly Small product shooting Your wireless studio HDSLR VIDEO Quick guide to video Learn camera movement & focus Story telling with video Creative video lighting BONUS: Workflow Solutions HDR unleashed Tablet editing techniques Tools & templates for Photoshop Cost$79.00 WhenSunday, March 20, 2011 from 9:00 AM – 4:00 PM WhereBest Western Harvest Inn (Phoenix Room)1715 Idylwld Dr. N Saskatoon, Saskatchewan S7L 1B4 Register Here
- February 15, 2011
John Perret shares his tips for creating a great panoramic photo. John Perret – www.lightlinephoto.com EQUIPMENT tripod, do not extend tripod too high wide-angle lens optional view finder grid good common sense of level (gets easier with practice) FORMAT FOR IMAGES use tif (1), Jpg (2), raw (3). If you are taking other photos you can use raw. With raw it presents much more work but better control. Keep at 300 DPI and shoot as large an image as possible for large panoramas. Do not use auto settings. The low angle of the sun will give you a warmer tone in early morning or late evening light. Auto tends to correct tones in the sky and makes small corrections across the panoramic. Use the sun setting on your camera. Manual exposure allows you to adjust the exposure and take at least 3 bracketed exposures. Auto focus may tend to vary the focus from one side to the other: this can cause focus problems. If the panorama is far enough away then focus at infinity. Otherwise focus each time. Use F11 – F16 to catch all the foreground. POSITION OF CAMERA Remember that you can shoot vertically or horizontally. Horizontal will cover a greater area but will crop off some space at the top and bottom. Approximately 3 – 4 images Vertical will result in more exposures, 8 – 9, but will give you more space on the top and bottom. Start on one side of the panorama and move across. You must overlap an object in each shot by approximately 25%. Buildings are easy, scenics can be difficult. Each shot should be bracketed. Remember that if you are using a narrow exposure (spot) then you should be exposing for the earth. An average between earth and sky is also good. Remember, what you see is what you get. If the highlights are blown out they cannot be brought back. As you move across the scene, the horizon line (or perceived horizon line) should remain in the same position in the viewfinder. If the sky seems to be burned out then expose more for the sky. Depending on the time of day this can vary dramatically. The sky can be shot separately and merged in afterward, nice with a stormy sky. I usually shoot the panorama twice, just in case. Horizontal could result in 12 exposures and vertical could result in 30 exposures. MOVE TO COMPUTER Set up a folder such as PAN #1 and choose a complete set of best exposures. * DO NOT adjust or sharpen. Photoshop and Panorama Maker will make slight adjustments to exposure. Use of Panorama Maker in Nikon software Likes JPG Can make adjustments to edges, use at markers 360’ movies can compose vertical, horizontal and tile can be saved in tif with little loss of image Use of Photoshop Merge under custom Several choices of lenses and panoramas Good blending Size and speed of computer may vary results and limit what you can do...
- February 11, 2011
All of the digital entries for the clinic “Long Exposure” are available online. https://saskatoonphotographyclub.com/Clinics/2010-2011/LongExposure Also note that the score and comments are under each photo in the Comments area. The Excel Sheet of all the results for both digital and print entries available here:http://sites.google.com/site/saskatooncameraclub/clinic-results DIGITAL IMAGE ENTRIES Winner: Digital Altered Reality Fighting the Flow by Lyle Krahn Winner: Digital Black and White Hussle and Bussle by Kyle Remus Winner: Digital Traditional Color Disturbing the Peace by Lyle Krahn PRINTS Winner: Print Altered RealityRivers Edge by Howard Brown Winner: Print Black and White / MonochromeI’m Blowing Off a Bit of Steam by Stephen Nicholson Winner: Print Traditional ColorColour Chemistry by Karen Pidskalny
- February 2, 2011
The London Camera Club, on behalf of the Canadian Association for Photographic Art, is proud to host Canadian Camera Conference 2011 (CCC 2011) with renowned Keynote Speakers, ELLEN ANON (www.ellenanon.com) and NEVADA WIER (www.nevadawier.com). The conference features many workshops, labs, field trips and presentations on Photoshop, Lightroom, Elements and ProShow. CCC 2011 will be held at Fanshawe College, London, Ontario. Attendees may stay at the beautiful, new Fanshawe College Residence and Conference Centre. Dates: June 29th to July 3rd, 2011 For further information visit www.capaconference.com
- January 31, 2011
At the request of the host club for Altered Reality – Individual Competition, the email address for receipt of images and entry forms has been changed to capa.altered.reality@gmail.com ALTERED REALITY COMPETITION (Digital) Competition closing date: JANUARY 20th Images must be heavily manipulated and obviously creatively enhanced including composites, creative filters etc. These images are not meant to look like a regular photograph. ALTERED REALITY: IndividualTrillium Photographic ClubJohn OvermeyerRR 2 1560 5th Conc WBranchton ON N0B 1L0905-659-3686capa.altered.reality@gmail.com ….and don’t forget about:THEME: Individual “Footwear”Competition Closing date: 20 February 2011Photographic Guild of Nova ScotiaJoyce S.K. Chew230 High StBedford, NS B4A 1M6902-835-6977joyceskchew@gmail.com From the Competition Guide:THEME COMPETITION (Digital)Competition Closing date: February 20th 2011 “Footwear” (Singular, Stacks, Being Worn) The definition for Open Competitions (see below) regarding image editing also relates to the Theme competition. Submit images as close to this theme subject as possible. Images which do not illustrate the theme could be disqualified by the Host Club who will consult with the Digital Open Competition Chair to make the final decision. OPEN COMPETITIONS (Digital & Print) A variety of subject matter is accepted. The photographer can make enhancements in the camera (zooms, pans, multiple exposures, blurs, cropping) with modifications/enhancements using a digital imaging software program e.g., Photoshop, to improve the overall presentation of the original captured image e.g., improved contrast/tonality, enhanced colour. Techniques that dramatically change the presentation of the original captured image must be entered in the ‘Altered Reality’ Competition. Enjoy the Competitions! Judy Higham, Director of CompetitionsCanadian Association for Photographic Arthttp://www.capacanada.ca/
- January 20, 2011